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Browns
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Raw umber - Natural earth - Highly Permanent - Tedancy to flour : needs a lot of binder
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Burnt umber - Burnt natural earth - Highly Permanent - Mix it well before puddling the colour
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Raw Sienna - Natural earth (Italy) - Highly Permanent
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Burnt Sienna - Natural earth (Italy) - Highly Permanent - Mix it well with the brush before application
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Purples
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Cadmium red purple (genuine) - Cadmium sulfo seleniure - Highly Permanent
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Reds
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Venise red - Iron oxide - Highly Permanent - Very good light resistance - stable in mixture
(Mars Red, Pozzuoli Red)
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Cadmium red (genuine) - Cadmium sulfo seleniure (minéral) - Highly Permanent - Covering - don't mix with
leads or titanium white
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Oranges
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Mars orange - Iron oxide - Durable
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Yellows
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Yellow ochre - Natural earth - Highly Permanent - Many variations and shades of this exist, Italian, Greek, and French
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Cadmium yellow (genuine) - Cadmium sulfide - Highly Permanent - Covering - don't mix with white lead or with ultramarine
blue
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Greens
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Viridian (genuine) - Hydraded chrome oxide - Durable - Very solid in mixture - use it in glazes
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Chromium oxide green - Chrome oxide - Highly Permanent - Covering and coloring - very stable in mixture
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Green earth (Terre Verde) - Natural earth - Highly Permanent
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Blues
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Ultramarine blue - Silico-aluminate of polysulfuretted sodiums - Highly Permanent - Luminous and intense - don't mix
with chrome yellow
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Cerulean blue (substitute) - Barite sulfate and phtalocianine blue - Highly Permanent - High colouring capacity
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Cerulean blue (genuine) - Cobalt stanate - Highly Permanent - Opaque - unvarying in mixture
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Cobalt blue - Cobalt aluminate - Highly Permanent - Excellent light resistance - stable in mixture
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Black and white
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Titanium white - Titanium dioxide - Highly Permanent - Don't mix with cadmiums - luminous - intense
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Lime white - slaked lime - Highly Permanent - dull
highlights, natural plaster tint
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Lamp black - Carbon - Highly Permanent - The favourite black for fresco